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Camille Pissarro
Duck pond
mk259 1874 Oil on canvas years 53.1 x 64.2 cm
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Camille Pissarro
Farmhouse
mk259 1874 Oil on canvas years 60.4 x 73.5 cm
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Camille Pissarro
Pang Schwarz housing plan
mk259 1874 Oil on canvas years 54 x 65.5 cm
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Camille Pissarro
Chat in a small way those who
mk259 1874 Oil on canvas years 60 x 73 cm
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Camille Pissarro
Snow housing
mk259 1874 Oil on canvas years 45.9 x 68.3 cm
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Camille Pissarro
Snow scenery
mk259 1874 Oil on canvas years 40 x 51 cm
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Camille Pissarro
There are rock scenery
mk259 1874 Oil on canvas years 65.5 x 92.5 cm
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Camille Pissarro
Winter scenery
mk259 1874 Oil on canvas years 60 x 73 cm
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Camille Pissarro
Pang map of the iceberg Schwarz
mk259 1874 Oil on canvas years 61 x 81 cm
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Camille Pissarro
Pang plans Schwarz garden
mk259 1874 Oil on canvas years 54.3 x 65.3 cm
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Camille Pissarro
Pang plans scenery Schwarz
mk259 1874 Oil on canvas years 55 x 92 cm
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Camille Pissarro
Cattle woman
mk259 1874 Oil on canvas years 54.9 x 92.1 cm
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Camille Pissarro
Pang plans scenery Schwarz
mk259 1875 Oil on canvas years 53.7 x 65.4 cm
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Camille Pissarro
Montreal luck construction pond
mk259 1875 Oil on canvas years 73.6 x 92.7 cm
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Camille Pissarro
Cabbage harvest
mk259 1875 Oil on canvas years 54 x 64.8 cm
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Camille Pissarro
Field work
mk259 1875 Oil on canvas years 47.7 x 55 cm
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Camille Pissarro
Pang plans under the sun Schwarz
mk259 1876 Oil on canvas years 46 x 55 cm
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Camille Pissarro
Pang plans scenery Schwarz
mk259 1875 Oil on canvas years 54.6 x 65.4 cm
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Camille Pissarro
Lush garden
mk259 1876 Oil on canvas years 39 x 56 cm
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Camille Pissarro
Men farming
mk259 1876 Oil on canvas years 54 x 65 cm
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| Camille Pissarro
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Caribbean-born French Pointillist/Impressionist Painter, ca.1830-1903
.Painter and printmaker. He was the only painter to exhibit in all eight of the Impressionist exhibitions held between 1874 and 1886, and he is often regarded as the 'father' of the movement. He was by no means narrow in outlook, however, and throughout his life remained as radical in artistic matters as he was in politics. Thad?e Natanson wrote in 1948: 'Nothing of novelty or of excellence appeared that Pissarro had not been among the first, if not the very first, to discern and to defend.' The significance of Pissarro's work is in the balance maintained between tradition and the avant-garde. Octave Mirbeau commented: 'M. Camille Pissarro has shown himself to be a revolutionary by renewing the art of painting in a purely working sense;
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